New ‘Insidious: The Last Key’ trailer features the infamous demon from #1

It’s name is The Lipstick Face Demon and it is synonymous with the Insidious franchise that burst onto the scene in 2010.

The highly anticipated newest addition to the franchise, The Last Key, release date is growing closer (January 5, 2018), and with a recent TV spot and now officially launched trailer, the demon which we thought was banished has returned to fuel our thrist for the newest film.

Watch below, but beware, it’s at your own risk.

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5 movies that we loved and 3 that we hated in 2017

2017 was a crowded house of horror. There was plenty of big hitters that had been hyped and talked about for it seems like at least 2 years prior, whilst a collective of indie and unknown unique horror movies impacted the current landscape of horror going forward. Despite this being the popular consensus amongst the audience, and also us here at All Things Horror, it’s been understood that this year has been a milestone year for horror. Yet upon reflection the year to us seemed lacklustre. Yes there was plenty of bright spots and films worth our time, but those who tried to diversify the genre did so but without any viewing significance. The remakes, especially IT, were fun rides that are worth a re-watch, but when nit-picking and pulling apart the film for it’s actual worth and talent, it’s just another CGI blockbuster. The one true movie that wrung home and deceived all the odds and really claimed it’s place in horror’s history was Get Out, which is most definitely our film of the year.

 

Hated:

 

3. Dig Two Graves

 

2.  The Gracefield Incident

 

2. Split

 

Loved:

 

5. Killing Ground

 

4. A Cure For Wellness

 

3. Gerald’s Game

 

2. The Blackcoat’s Daughter

 

1. Get Out

‘Misery’ and it’s parallel affect on Stephen King

It has been brought to light recently, that much like ten years earlier with Stanley Kubrick’s adaption of his novel The Shining, Misery wasn’t exactly a film that King wanted to create/happy with the result.

Per Comicbook.com

Misery director Rob Reiner stated that “Here he was, a writer of horror books, books with supernatural elements to it, and he also wanted to express himself as a writer.”

Reiner goes on to say that ‘it was personal’ and the book wasn’t meant to be glorified on the big screen. He said what made the film go forth was that King trusted him due to earlier work together and that if anyone was going to avenge Kubrick’s mistakes he trusted Reiner.

The news is interesting, being unleashed in a  year were King has immortalized himself in the trans-universe of horror.

‘Happy Death Day’ joins the slasher elite

When we talk about the great slasher movies that paved the way for a sustainable horror genre, Halloween, Nightmare On Elm Street and Scream are just some of the names that come to mind. Yet the 100 million dollar club has welcomed a new member whose name should now be synonymous with, and that’s Blumhouse and Universals post modern slasher, Happy Death Day.

Made on an exclusively low 4 million, the slasher a few months on from release has joined other new age slashers such as Scream, I Know What You Did Last Summer and Freddy Vs Jason to make a revenue of 100 million dollars.

Is this a sign of things to come in the horror sub genre of Slashers? With the talks of new remakes of iconic horror films coming to our screen in 2018, and with the very generous earnings the genre as a whole made this year, it’s safe to say that maybe horror has been reborn in 2017.

 

 

death-day

 

 

‘Mama’ was a short film before it became the cult hit feature film

We didn’t know this until recent news came our way, but yes, the 2013 film MAMA was a short film before it mutated into the film we all know and love.

Guillermo del Toro said that  Andres Muscheitti’s film was ‘one of the scariest scenes’ he had ever seen. The film once making it’s big screen debut as a full length film pushed Andres Muschietti into the spotlight and to this day has been graced with opportunities.

Watch below to see how it all started!

Friday Night  Fright  – November 24th

Slow news week but a flurry of new trailers became apparent and/or were released. There is a heap of exciting movies coming to us in 2018 and with that at the moment news, posters and trailers are the only news bouncing around. It has been another scorching week here in Oz and considering the recent remakes and sequels of big films, i.e Jigsaw, Leatherface, Flatliners and the news surrounding the newest Halloween movie this week we will be showcasing some of the better remakes and sequels.

 

Horror Fans: Hostel II (2007) – The original Hostel with it’s award winning director is often well documented, yet the sequel which is surprisingly better is often dismissed or even not watched based on the assumptions surrounding it’s lack of originality. It may follow a similar path, but I bet you, Hostel II will impress you more than its precursor.

 

Beginners: Friday The 13th: The Final Chapter (1984) – My favourite Friday the 13th film by far. Jason is back to his destructive best, it’s the conclusion of a great series, and the film ties in purposefully all that has occurred. Not to mention some of the acting for its time is quite good. Must watch if you want to brush up on the series as a collective.

 

Casual fans: Halloween (2007) – Rob Zombie has a signature way of creating horror, it’s brash, bizarre, colourful and in your face. This remake which is much like his other works is super charged and intense. A great watch fi you want a revamped and similar plotline to the original ground-breaking film of the same name.

Trailer for horror ‘A Quiet Place’ will leave you speechless, for your sake

Before you read anything more, watch the trailer!

This 2018 horror is yet another exciting horror film that has joined the abundance of films pitted to scare us in 2018.

The name and trailer work vicariosuly to illustrate that this horror will be climactic and extremely intense, as an isolated family stay hidden from those on the outside.

The Paramount film is set to be released in theatres 6th of April.

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